You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click вЂCustomise CookiesвЂ™ to decline these cookies, make more detailed choices, or learn more. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, weвЂ™ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. Overall-some major improvements and features that make this program well worth the purchase.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. It gives a much better looking preview than what you get when you click the OK button. I have yet to get a good-looking trace in AS but then again I have not put in a very clean drawing. This function has been in Flash for a good while. The only disappointment is the Trace function, which I was seriously looking forward to. Not sure if the new lip-sync features outshine it or not, or if Papagayo is even compatible-I'll find out when I get there. In the old days I used the freeware Papagayo in my workflow for lip-syncing. It even looks better when you import old version stuff into the newer version. The gradient direction is also animatable in realtime just by dragging a pointer around on the layer, not in the properties dialog box like before. Not sure what else is real-time in regards to such effects. You also get real-time rendered gradients and brushes, which is very helpful so you don't always have to render the frame to see how if it's right. Just go into the layer and tweak away for a variety of hand-drawn looks. The sketch effect (which just adds noise to the lines/fills) is much better than previous versions and gives a fairly natural hand-drawn look. As an insecure artist I struggle with my hand-drawn not looking good enough and my vector looking sterile.

Also if you decide to move the initial position of the object that will screw up the key frames, so you'd have to delete the existing keyframes and start over. I imagine this can add up to unnecessary file size.

I think once you get the physics right you're supposed to turn it off because it keeps writing keyframes as long as the playhead is moving, no matter if the object is moving or not. I did notice that an object might bounce up before it technically hits the object beneath it, but since there are keyframes you can tweak them. I don't have a lot of physics-heavy animation YET but it's nice to know I can get some realistic gravity and ragdoll action happening when I will need it. The physics engine! I played with it for like an hour. It's cool that you can go in the same object and switch the 3d types or go back to vector without having to UNDO/REDO. I don't necessarily use the 3d objects (yet) but they are near perfect for tracing over with vectors. I totally dig the 3d extrusion effects which are GREAT if you're working with perspective. I'm still getting used to the layout and some of the old tools and styles appear to be gone or replaced but overall I love the new(er) features. I've been using AS from Moho to Version 5.6.

Anime studio pro review